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“This is a work of sublime resignation, and the soloist here, Amanda (Atlas),... showed herself profoundly attuned to the texts and vocally capable of soaring above the dark colours of the eloquent scoring. Such was the triumph of this performance... that there was a sense that Brunnhilde’s Immolation from Wagner’s Gotterdammerung might be over the horizon.”

Strauss Four Last Songs, Birmingham Post

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